David Stanwood will be giving the following presentations on:




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Australasian Piano Tuners
and Technicians Association
Brisbane October 2023

via Zoom

The Stanwood New Action Protocol (SNAP) for Grand Pianos 

by David Stanwood


This simple calculation free workbench approach defines “best practice” for balancing grand piano actions and addresses
the underlying and overriding effect of playing inertia.   Presetting scaled key front weights with digital scale accuracy let’s
the action tell you the best choice of hammer strike weight scale for your desired inertial playing quality.   Smooth scaling
hammer and key weighting produces significant improvement to tone and touch.

David Stanwood BIO:

Early in his career David Stanwood realized that the traditional method for setting key weights to make a specified down
weight produces unpredictable results, especially when putting new parts in old pianos.  His pioneering research in the early
1990s led him to discover the Equation of Balance and opened the field of Touch Weight Metrology.  His signature trademark
product - Precision Touch Design - produces any desired inertial playing quality by matching hammer weight and ratio levels
combined with smooth scaling of hammer strike weights and key front weights to produce the highest standard of touch quality.  
In recognition for his important work  David was inducted into the Piano Technicians Guild Hall of Fame 2019.    He also
received the Distinguished Alumni Award from the North Bennet Street School, Boston, Massachusetts, USA 2007.  He lives
and works on the Island of Martha’s Vineyard off the North East coast of the United States.  
Read his piano journal articles at http://www.stanwoodpiano.com/articles.htm

 

Midwest Regional Conference PTG November 11-13, 2022

https://midwestptg.com

 

Class I

 

The Stanwood New Action Protocol for Grand Pianos by David Stanwood

 

Also known as the SNAP method, this calculation free approach for controlling
 Inertia by normalizing Key Front Weights lets the action simply and clearly tell
you the correct Hammer Strike Weight level for the desired DownWt/BalanceWt/UpWt
level and inertial playing quality in the finished action

 

Class II

 

Dolge’s Dilemma by David Stanwood

 

Alfred Dolge is the father of the modern piano hammer press which stretches wool felt
for high tension at the crown.   In his book Pianos and Their Makers Dolge describes the
ideal piano hammer as “graduating in softness and elasticity toward the top surface”. 
 How can these two qualities exist in the same hammer?   Some historical sleuthing into
his “Blue Felt Hammer” leads to deeper understanding of how to voice modern hammers
for the best possible tone color.


EuroPiano Congress 2022 in Warsaw Poland
- Sept 2-4
Paper published in EuroPiano Journal #1 2023


A Simple Approach for Matching Hammer Weight and Action Ratio in the Grand Piano to Control Inertial Playing Quality 
By David Stanwood

Bio:

David Stanwood discovered the Equation of Balance and pioneered the field of Touch Weight Metrology. He is the inventor
of 
his trademark product - Precision Touch Design.  For 3 decades he has practiced and taught his methods for scaling
Hammer Strike Weights and Key Front Weights.  His work produces the
 intended Inertial Playing Quality with the smoothest
possible touch response from key to key.  
David was inducted into the Piano Technicians Guild Hall of Fame 2019. The
Precision Touch Design Academy Europe was founded on his method in 2008.  He received the Distinguished Alumni Award
from the 
North Bennet Street School, Boston, Massachusetts, USA 2007.  He lives and works on the Island of Martha’s
Vineyard off the North 
East coast of the United States.  

By David Stanwood

Our industry still holds onto the belief that a high medium or low down weight is associated with a heavy medium or light
action even though the association proves to be unreliable.   A well voiced and regulated piano with a medium down weight
can sometimes feel heavy or light.  The underlying and overriding factor is the “Inertia” of the leveraged hammer weights.   
The normal range of Leverage Ratio and Hammer Weight levels in grand pianos varies widely and finding the correct match
is key to producing a desired playing quality.    When Ratio and Hammer Weight levels are paired for specified Inertial types
the amount of weight needed to balance the keys to a specified Down and Up Weight is always similar.   This leads to a simple
and practical approach.    A handful of “Marker” keysticks are tipped onto a digital scale and the weights set on top to mock
up a normalized front weight associated with the desired inertia according to reference tables.  Hammer weights are adjusted
on the markers to find the weight scale that produces the specified Touch Weight.  Once the correct Hammer Weight scale is
established and the action balanced the desired quality of Inertia will result. 

February 8, 2022 7pm  via Zoom
Long Island/Nassau County PTG Monthly Meeting.
for information contact Michael Slavin: slavinpiano@aol.com

The Stanwood New Action Protocol

Join David at his workbench, with sleeves rolled up, to walk us through his new simplified and
calculation free method for setting up and weight calibrating new parts to a desired Inertial Playing
Quality on a c1937 Steinway S action.

Bio:

David Stanwood pioneered the field of Touch Weight Metrology. For 3 decades he has practiced and
taught his Precision Touch Design methods for scaling Hammer Strike Weights and Key Front Weights
to create a desired level of Touch Weight and Playing Inertia with the smoothest possible touch response
from key to key.  In 2007 David received the North Bennet St. School's Distinguished Alumni Award
and in 2019 he was inducted into the PTG Hall of Fame.



May 24-26 2021
North Bennet Street School -  Piano Technology Conference
for North Bennet Street School Students and Alumni
Contact the Alumni office for information

Class title: "Dolge's Dilemma - Wool in the Modern Piano Hammer" by David Stanwood


March 15,  2021 7 pm PST
Pomona Valley PTG Chapeter Monthly Meeting


Dolge's Dilemma

David Stanwood - Boston Chapter

 

The piano hammer of the late romantic period (1840s) inspired the creation of great works by Frédéric Chopin. 
Those hammers were lightweight, springy soft on the outer surface, with progressively denser layers of felt or leather
in towards the wood molding core.  The outer layers produced sweet rich pianissimo tone. The dense core drove
out a beautiful singing forte tone.  In between those extremes the pianist could pick from a wide palette of tone
colors. How do these inspiring characteristics carry forward to present day pianos with much heavier hammers?


.



March 8, 2021 3pm EST   

New Hampshire  PTG Chapter monthly meeting

Dolge's Dilemma

David Stanwood - Boston Chapter

 

The piano hammer of the late romantic period (1840s) inspired the creation of great works by Frédéric Chopin. 
Those hammers were lightweight, springy soft on the outer surface, with progressively denser layers of felt or leather
in towards the wood molding core.  The outer layers produced sweet rich pianissimo tone. The dense core drove
out a beautiful singing forte tone.  In between those extremes the pianist could pick from a wide palette of tone
colors. How do these inspiring characteristics carry forward to present day pianos with much heavier hammers?

 


A

February 16, 2021 7pm EST

 Monthly PTG meeting Boston Chapter

Core Concepts of Tone and Touch by David Stanwood Boston Chapter



Tone and Touch are as important to the pianist as Tuning and Regulation.  Together online we will look into my views

on the relationship of hammer weight to voicing and inertia.  Learn how the tone of light weight Chopin era hammers
inspired the creation of great compositions.  The modern day hammer is much heavier and those inspiring qualities
are easily lost.  Deeper understanding of the unique properties of wool felt lead to voicing methods that add tone color
and expand tonal range into the pianissimo.   As for touch the underlying and overriding factor is the “Inertia” of the
leveraged hammer weights.  Leverage Ratio and Hammer Weight levels vary widely and finding the correct match is
key to producing a desired playing quality.   Learn how to let the action speak for itself to get the right inertia with my
straight forward calculation free approach.




January 19, 2021 7pm EST

Monthly PTG meeting Central North Carolina Chapter

Core Concepts of Tone and Touch by David Stanwood Boston Chapter

Tone and Touch are as important to the pianist as Tuning and Regulation.  Together online we will look into my views
on the relationship of hammer weight to voicing and inertia.  Learn how the tone of light weight Chopin era hammers
inspired the creation of great compositions.  The modern day hammer is much heavier and those inspiring qualities
are easily lost.  Deeper understanding of the unique properties of wool felt lead to voicing methods that add tone color
and expand tonal range into the pianissimo.   As for touch the underlying and overriding factor is the “Inertia” of the
leveraged hammer weights.  Leverage Ratio and Hammer Weight levels vary widely and finding the correct match is
key to producing a desired playing quality.   Learn how to let the action speak for itself to get the right inertia with my
straight forward calculation free approach.


December 11, 2020  2pm EST

The 1st Online Piano Industry Convention
https://www.pianotechniciansmasterclass.com/convention2020


Core Concepts of Tone and Touch by David Stanwood Boston Chapter

Tone and Touch are as important to the pianist as Tuning and Regulation.  Together online we will look into my views
on the relationship of hammer weight to voicing and inertia.  Learn how the tone of light weight Chopin era hammers
inspired the creation of great compositions.  The modern day hammer is much heavier and those inspiring qualities
are easily lost.  Deeper understanding of the unique properties of wool felt lead to voicing methods that add tone color
and expand tonal range into the pianissimo.   As for touch the underlying and overriding factor is the “Inertia” of the
leveraged hammer weights.  Leverage Ratio and Hammer Weight levels vary widely and finding the correct match is
key to producing a desired playing quality.   Learn how to let the action speak for itself to get the right inertia with my
straight forward calculation free approach.

November 2, 2019

One Day seminar at Ithaca College
Southern Tier Chapter

Stanwood New Action Protocol

Learn the basic method for replacing grand hammers and balancing the action to a medium
inertial playing quality using the Stanwood New Action Protocol also known as SNAP!  The
SNAP! method is a calculation free work bench approach for matching hammer weight and
action ratios to produce specific inertial playing types.  The SNAP! method simply combines
pre-calculated scaled Front Weights with matching Scaled Hammer Strike Weights to produce
a desired level of Balance Weight and a predictable inertial quality in the finished action.

 

The demonstration covers:

 

1. Drama free key leading with friction free digital scale accuracy

2. Letting the action show you what hammer weight level to order from your supplier.

3. Scaling and fine tuning the weight of the hammers by custom tapering the hammers.


July 10-13, 2019   Tucson, Arizona
PTG ANNUAL CONVENTION & TECHNICAL INSTITUTE

http://my.ptg.org/2019convention/home

The Table of Touch Design Elements - David Stanwood 1.5hrs, 

We now know that playing quality in a well balanced piano action is a function
of Inertia produced by Ratio, Hammer Weights, Key Lead Weights, and the resulting
Balance Weights. These relationships are clearly seen and understood when organized
into rows and columns in a form not unlike chemistry's Table of the Elements.


A New World Model for Key Balancing - David Stanwood 1.5hrs

Very even and predictable feeling touch is produced by presetting keyleads once and
for all to a perfect scale in shop or factory. Hammer weights are then scaled evenly to
produce the desired level of Down and Up Weight. A computer free alternative to the
unreliable down weight method.


May 2-5, 2019

New England, Eastern Canada PTG Seminar
http://www.neecso.com

The Table of Touch Design Elements - David Stanwood 1.5hrs, 

We now know that playing quality in a well balanced piano action is a function
of Inertia produced by Ratio, Hammer Weights, Key Lead Weights, and the resulting
Balance Weights. These relationships are clearly seen and understood when organized
into rows and columns in a form not unlike chemistry's Table of the Elements.


A New World Model for Key Balancing - David Stanwood 1.5hrs

Very even and predictable feeling touch is produced by presetting keyleads once and
for all to a perfect scale in shop or factory. Hammer weights are then scaled evenly to
produce the desired level of Down and Up Weight. A computer free alternative to the
unreliable down weight method.

April 8, 2019

DC PTG Monthly Meeting

Jordan Kitt's Music
11726 Parklawn Drive
Rockville MD

Food 5pm -6pm
Business Meeting 6-7pm
Technical  7-8:30pm

The New World Model for Key Balancing aka Stanwood New Action Protocol aka SNAP!tm

David Stanwood - Stanwood Piano Innovations

Reliable high quality touch results from installing in-factory or aftermarket hammers in
combination with key weights that are fixed once and for all to a scaled design. The hammer
weight scale that balances the action to the desired firm medium or light dynamic inertial
playing type is then determined by sampling just a few notes in the center of the piano.
Action quality is brought into focus by adding or subtracting weight from each individual
hammer. A simple and computer/calculation free approach that takes the drama out of key balancing.



February 19, 2019

Slosberg Music Center - Brandeis University
Boston PTG Monthly meeting 
6:00 PM     Gather Converse Eat
7:00 PM     Chapter Business Meeting
7:30 PM     Technical Presentation

Stanwood New Action Protocol aka SNAP!
by David Stanwood

This new world model for balancing touch combines Key Front Weight and Hammer
Strike Weight scales to create any desired Dynamic Inertial Playing Type. Simple and
computer-free. Addresses the enigma of matching hammer weight and action ratio
using the equivalent combinations of Front Weight and Balance Weights. Eliminates
the drama of dealing with key leads.Will talk about the newly created SNAP! Touch
Design Selection Guide as well as new developments for prepping hammer weights
and a peek at the Stanwood’s new methods which eliminate the use of lead for action
balancing.

October 20-21, 2018

Stanwood SNAP!™ - The New World Model for Balancing Grand Piano Actions

Two Day Retreat/Seminar at Lake Arrowhead, in the San Bernardino Mountains, Southern California


 

Stanwood has reverse engineered 25 years of experience. The result it’s the most simple,
comprehensive & time saving computer free system for creating reliably perfect touch
when installing grand piano hammers.   Finally a worthy and welcome approach that
supersedes the unreliable old world model of just setting downweights with key leads. 
 


Retreat/Seminar cost is $1600.00 & includes:

Sat/Sun training with Lodging for Fri/Sat/Sun and meals from Friday dinner to Sunday Lunch
 

Info at: stanwoodpiano.com/seminar
or contact
Catherine Lee at 909 553 7055/clee561@yahoo.com 


September 15, 2018

Introduction to Stanwood SNAP! method
2 Hour Webinar
for info and registration go to:
https://www.pianotechniciansmasterclass.com/david-stanwood

Southern California mini convention March 18-19, 2017
To be held in Riverside, CA
https://socalptg.com

Two Classes by David Stanwood

Class I  -  Balancing Hammer Weights for a more Perfect Action

Stanwood simplifies the most important and overlooked aspect
of piano action design - matching Hammer Weight with Action Ratio.
The subject can seem daunting.  The message is clear:  Most of what
the pianist feels when playing goes into moving weight of the hammer. 
It’s time to face the music!  New insights will show that you can meet
the challenge and balance actions more perfectly - simply, directly,
and without a computer.

Class II  -  Essential Elements of Touch and Tone.

Stanwood shares his insights from 40 years of pushing the envelope and
striving to make it easier for pianists to draw magic from pianos. 


February 21, 2017
Boston Massachusetts
Boston Chapter Monthly Meeting
Brandeis University, Waltham, MA
http://www.bostonptg.org/home.htm

Matching Hammer Weight with Action Ratio by Presetting Key Weights.
By David Stanwood    PTG Brandeis Feb. 2017

Stanwood will present a simplified approach for balancing
actions that automatically creates a match between hammer
weights with action ratio.  By this method one may create a
desired dynamic touch without complicated measurements. 
No computer needed.  Key weights are set once and for all
using the digital scale method. Final balancing of the keys is
accomplished by weighing off the hammers to standardized
specifications.  This class gives new meaning to the old adage:
“Don’t touch those weights in the keys. They were installed
in the factory!”

April 16 -18 2016
Auckland New Zealand
Mini Convention with David Stanwood
sponsored by the Piano Tuner & Technicians Guild of New Zealand
http://www.pianotuner.org.nz/index.html


February 16, 2016
Boston PTG monthly meeting
Brandeis University

Presentation of the latest software for Precision Touch Design
component analysis and calibration.


February 17, 2015 7:30pm
PTG Boston Chapter meeting
Brandeis University - Music Building

Mock Up and Get it Right
by David Stanwood & Boaz Kirschenbaum  1.5 hrs

Mocking up sample Hammers, Shanks, and Repetitions
in the action is the surest way to guarantee best results
when replacing parts.  Stanwood and Kirschenbaum
bring together their wisdom and experience to create a
multimedia compendium covering the essential aspects
of this important subject.   Their "pre-flight" checklist
addresses action geometry optimization, regulation
checks, clearance issues, and hammer weight/ratio/tone
selection. 


July 16,-20, 2014
PTG Annual Convention and Technical Institute 2014
Atlanta, Georgia

Hammer Weight Balancing

David Stanwood, Stanwood Piano Innovations Inc.

Choosing and using the right hammer weight has
proven to be the most important component of
action design. This two-period class will cover all
aspects of hammer weight including its history,
studies and analysis, voicing, pitfalls of using
replacement hammers "off the shelf", what the
experts use, and current methods for making and
installing specifications with or without a computer.

Mr. Stanwood will also be presenting his scientific paper:
"Down Weight vs. Equation Key Balancing:
Shifting the Paradigm

April 24 - 27, 2014
NEECSO Boston PTG 2014
Burlington, Massachusetts

Hammer Weight Balancing

David Stanwood, Stanwood Piano Innovations Inc.

Choosing and using the right hammer weight has
proven to be the most important component of
action design. This two-period class will cover all
aspects of hammer weight including its history,
studies and analysis, voicing, pitfalls of using
replacement hammers "off the shelf", what the
experts use, and current methods for making and
installing specifications with or without a computer.

Mr. Stanwood will also be presenting his scientific paper:
"Down Weight vs. Equation Key Balancing:
Shifting the Paradigm


March 28, 2014
Banff Center for the Arts
Banff, Alberta, Canada


Full day seminar on Precision Touch Design

Contact: Lee Post, RPT
lapost@shaw.ca, 403-678-6080

May 3, 2010
Piano Technicians Association
Bournemouth, UK

All day Seminar

June 4-6, 2012
EuroPiano Congress in Amersfoort, Netherlands

Presentation of Stanwood Adjustable Leverage Action

February 19-22, 2009
California State Piano Technicians Guild Conference
Burbank, California
http://www.calstateptgconference.com

CLASS 1: THE IMPORTANCE OF HAMMER WEIGHT AND ACTION RATIO

The effect of Hammer Weight on tone and touch is
profound. Matching hammer weight with action ratio is critical. This
multi media class will cover essential issues surrounding the use of
light, medium, or heavy weight hammers including: a review of current
methods for measuring, analyzing, and improving hammer weights and action
ratios. There will also be presentation of recent research comparing
Weight Ratios with Distance Ratios and a discussion about why they are not
always similar to each other. The class will interactively investigate
the effects of changing hammer weight by evaluating the touch and tone of
a piano in the classroom and then assessing the change cause by clipping 1
gram weights onto each shank.

CLASS II: FACTS AND FRICTION

The positive effect of all your good work in restoring, regulating,
tuning, and voicing the piano can be erased if the keys are difficult to
play because of friction problems in the action. This class offers a
complete overview on the subject of friction and its important effect on
the playing quality of pianos. Learn how much friction is too much or too
little and about all the ways you can measure and control friction
components in piano actions.

April 23-26, 2009 at the Mid Atlantic Regional Conference of the Piano Technicians Guild
Harrisburg, PA
http://www.ptgmarc.org

CLASS I: NEW INNOVATION: THE VARIABLE LEVERAGE PIANO ACTION

The Variable Leverage Piano Action is a new innovation for grand or
upright pianos, invented by David Stanwood. Simple modifications to the
balance rail bearings and the addition of a rail under the front of the
keys make it possible to change the balance point of 88 keys
simultaneously by the operation of "Speed Levers" at either end of the
keyboard. A Ratio change of 1.0 may be achieved by moving the levers
forward or back thereby making the action dynamically light, medium, or
heavy in an instant. The class will show how it works and discuss the
possibilities for the future of piano playing and performance.

CLASS II: THE IMPORTANCE OF HAMMER WEIGHT AND RATIO

The effect of Hammer Weight on tone and touch is profound. Matching
hammer weight with action ratio is critical. This multi media class
will cover essential issues surrounding the use of light, medium, or
heavy weight hammers in combination with low, medium, or high action
Ratios. The class will interactively investigate the effects of
changing hammer weight by evaluating the touch and tone of a piano in
the classroom and then assessing the change cause by clipping 1 gram
weights onto each shank as well as shifting the action ratio, using a
variable leverage action.

July 15-19, 2009 at the Annual Institute of the Piano Technicians Guild
Grand Rapids, Michigan
http://ptg.org/conv/2009

CLASS I: THE IMPORTANCE OF HAMMER WEIGHT AND ACTION RATIO

: The effect of Hammer Weight on tone and touch is profound. Matching
hammer weight with action ratio is critical. This multi media class will
cover essential issues surrounding the use of light, medium, or heavy
weight hammers in combination with low, medium, or high action Ratios. The
class will interactively investigate the effects of changing hammer weight
by evaluating the touch and tone of a piano in the classroom and then
assessing the change cause by clipping 1 gram weights onto each shank as
well as shifting the action ratio, using a variable leverage action.

CLASS II: HANDS ON TOUCH WEIGHT METROLOGY

This casual walk in workshop offers technicians a chance to try out the
various methods of touch weight metrology with emphasis on measuring and
understanding up weight and down weight.



Recent past teachings:
May  17-18, 2007
for the Bund Deutscher Klavierbauer in Bad Blankenburg Germany.   for details go to http://www.bdk-piano.de

"Die Praktische Verwendung der Anschlagsgewichtsbalanzierung von Teilen der Mechanik (Component Touch Weight Balancing) in der Klavier- bzw. Fl�gelherstellung oder in der Werkstatt, und die Vorteile die sie f�r den Fabrik, der Werkstatt, und der Kunde mit sich bringt."

Wenn man von Vorneherein in der Fabrik oder in der Werkstatt mit einen digitalen Waage die Tastengewichte nach pr�zise Designspezificationen einstellt, verbessert man gleichzeitig die Gleichm�ssigkeit des Auswiegens von einerTaste zur N�chsten enorm. Dabei wird es den Musizierenden erlaubt,eine gr�ssere Kontrolle �ber Dynamik, Tonnuanzierung, und Ausdr�ckskraft beim Klavierspielen zu erlangen. Man kann das Ganze noch Verfeinern,indem man individuelle Hammergewichte und Tastenreibungen nach kalkulierten Specifikationen fein einstellt.  Wenn mann bei einen sp�teren Mechanikreparatur die Hammerk�pfe wechseln sollte, und sie nach dem auf den Tastenholz gestempelten genauen Hammergewicht anpasst, kann man einen Verschlechterung der �rsprunglichen specialangepassten Spielartqualit�t des Instrumentes bis weit in der Zuk�nft vermeiden.

Seminarvorbereitung: Der Artikel: "Component TouchWeight Balancing - Blueprint for the Future" - von David C. Stanwood, PianoTechnicians Journal, April 2000, lesen und studieren.  Auch zu finden unter: http://www.stanwoodpiano.com/Blueprint_for_the_Future.pdf


June 20 - 24, 2007  PTG National Institute in Kansas City, Missouri  for details go to http://www.ptg.org/conv/2007

Class Title and Description:

"Practical Applications of Component Touch Weight Balancing in the Piano Factory 
and its benefits for the Factory, the Pianist, and the Piano Technician."

by David C. Stanwood PTG VvPN
1 hour presentation with 1/2 hour discussion

Setting key weights with a digital scale to precise design specifications, once-and-for-all in the factory speeds up the manufacturing process while greatly improving the consistency of key weighting from note to note thereby allowing for more subtle control of volume, nuance, and expression in piano playing.  Further refinement is achieved by fine tuning individual hammer weights and key frictions to specification.  Fitting replacement hammer weights to a specified weight stamped on the side of each key prevents degradation of a pianos designed playing quality far into the future.

Class Preparation - read and study the article "Component TouchWeight Balancing - Blueprint for the Future" - by David C. Stanwood, Piano Technicians Journal, April 2000  Available at: http://www.stanwoodpiano.com/Blueprint_for_the_Future.pdf